Steps 1-8, 21.5"x16", Graphite on Kitakata and digital animation
Who's feet are these?, cropped, 10.75"x16", Graphite on Kitakata and digital animation
Steps 1-8, 21.5"x16", Graphite on Kitakata and digital animation
Who's feet are these?, cropped, 10.75"x16", Graphite on Kitakata and digital animation
" Afoot, on horseback, with bugles and baying hounds,
We looked down at last on the wilderness of the Idea,
Sulphur yellow like an aspen forest in late fall
(If the memory of a previous life does not deceive me),
Though it was not wood, but a tangle of inorganic forms,
Chlorine vapor and mercury and iridescence of crystals.
I glanced at our company: bows, muskets,
A five-shot rifle, here and there a sling.
And the outfits! The latest fashions from the year one thousand
Or, for variety, top hats such as Kierkegaard,
The preacher, used to wear on hus walks.
Not an imposing crew. Though, in fact, the Idea
Was dangerous to our kind no more, even in its lair.
To assault poor shepherds, farmhands, lumberjacks
Was its specialty, since it had changed its habits.
And the youngsters above all. Tormenting them with dreams
Of justice on earth and the Island of the Sun. "
Berkeley, 1976
Translated by Milosz Czeslaw and Robert Hass
Steps 1-8, 21.5"x16", Graphite on Kitakata and digital animation
Walk, 25"x37", Graphite on Kozuke
Cumulation, 21.5"x16", Graphite on Kitakata
Who's feet are these?, steps 7 & 8, 22"x30", Graphite on Pescia light blue
Whose feet are these? and Afoot..., 10.75"x16", Graphite on Kitakata
Misstep, 16"x16", Graphite on Kitakata
List of Works
Steps 1-8, 21.5"x16", Graphite on Kitakata and digital animation
Walk, 25"x37", Graphite on Kozuke
Cumulation, 21.5"x16", Graphite on Kitakata
Who's feet are these?, 10.75"x16", Kitakata
Who's feet are these?, steps 7 & 8, 22"x30", Graphite on Pescia light blue
Whose feet are these? 10.75"x16", Graphite on Kitakata
Afoot..., 10.75"x16", Graphite on Kitakata
Misstep, 16"x16", Graphite on Kitakata
Artist Statement
I was assigned Milosz's Idea in Intermediate Drawing as my third year at NSCAD was coming to a close. It was time to select my courses for my fourth, and presumably final year. My time at school was unresolved and short. I had completed the first year of my degree online in the midst of Covid-19. Despite my efforts to make up for this disappointing start, much that I had been anticipating had not come to pass. I started spending all hours at school. I took classes in lithography and intaglio and found the magic of the print studio to be the farthest thing from the cramped scribbling I'd been doing the previous year. But equally important regardless of the hour, I was never alone in the studio. I gained confidence; in my abilities technically and socially; in my choice to attend, that I deserved to and I wanted to be there. I walked to campus happily with purpose.
I had all the requirements to graduate after four years. I had taken a full course load, summer courses and I had always rushed to the highest level course I could. I felt the expectation to graduate, and I felt the urge to join my peers who already had. I felt all of the anxiety and excitement that come with starting a career. I found myself struggling to distinguish between what I felt I should do and what I wanted.
As I read "Idea" I return continually to the image of marching. To march is to move in unison with others, to act under a common objective, a common ideal; to walk with the confidence that what you are doing is right. I've lost that confidence and I wonder what dreams might torment me.
The title "Whose feet are these?" is a quote from an instructor pausing to view the works as they sat in the drying racks. I felt it encapsulated my questioning while also adding an element of humor and levity. The project deals with fear, and expectations; with shoulds, wants, and individuality. "Whose feet are these?" is about trusting yourself and those around you, and placing one foot in front of another.
Installation of the works is intended throughout NSCAD's Fountain Campus, so they might serve as a reminder that it is lighter than it seems and in the hope that they might spark meaningful conversation.
O. Jarsky
Step 1-2 drawn with graphite on 158 Mesh Screen in Fountain Campus Drawing Studio
Copyright Oscar Jarsky © 2014-2023.